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  <a href="/studio-blog/blog/5097560/my-mixing-process">Feb 24 - My Mixing Process</a>&nbsp;
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  <div class="message"><p><span class="font_regular"><img src="//images.zoogletools.com/u/47679/513f9cb59feb62fa15d637f1bd39c81dbc9555ee/medium/img-5386.jpg" class="size_m justify_right border_" /></span>In this week's blog, I will describe the post production/mixing process of my 8-track studio recording project of <em>Tangled</em>. </p>
<p>On Monday February 12, at 1 PM, I returned to the studio to add a virtual instrument on my saved recording. Originally, I planned on making the virtual instrument another synthesizer, like an organ or strings, but since Tyler forgot his guitar, I decided to make the virtual instrument a rhythm guitar. However, because the ProTools keyboard used for my virtual instrument could only play one note at a time, instead of multiple notes at the same time, I decided to make the virtual instrument another synthesizer playing the rhythm guitar part. It was a pain drawing in each note individually on the virtual instrument track, but luckily I didn’t have to overdub it over the recorded instruments, like I did the vocals and the synth. I arranged all the notes in the order I wanted them, and it sounded great with the recording when I was done. I did mix sound stages 1, 2, and 3, but I didn’t like them, so I drew a fourth sound stage. Next, I mixed the equalization, reverb, dynamics, and delay on each track, so that I had the sound of the two overheads near the center; the snare, the kick, the lead guitar, and the virtual instrument in the center; the tom on the right; the bass on the left; the synth in the back; and both vocals in the front center. Finally, I saved a new copy of the recording, shut the studio computer down, and left the studio at 5:50. </p>
<p>Check out my final recording in the music player above.</p></div>
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    <p class="post-info"><span data-time="2018-02-24T17:08:29-05:00" title="February 24, 2018 17:08">02/24/2018</span></p>

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  <a href="/studio-blog/blog/5086216/my-studio-recording-process">Feb 18 - My Studio Recording Process</a>&nbsp;
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<div class="post">
  <div class="message"><p>In this blog, I will describe the studio recording process of my 8-track recording project. </p>
<p>On February 8, at 5 PM, Brennan, one of the studios supervisors, let me into the studio. I began to set up microphones and headphones that I was going to need, and Brennan helped me. Then I set up ProTools on the Apple computer on the studio’s Yahama 02R96 Digital Mixing Console to do my recording. For the gear settings, I used the console’s Patchbay for my inputs, using the standard configuration (Studio Ties 5 and 6 connected to Mixer Omni Out 5 and 6). For my floor plan, I had the synthesizer positioned on the left side of the recording room, the lead guitar on the right, the bass on the front left, the drums on the front right, and the vocals in the center. For the microphones, I used a D112 for the kick, an SM57 for the snare, two C451s for the two overheads, a C418 PP for the tom, an AT4014 for the synth, and a Neumann for the vocals. The guitar and the bass were plugged into direct inputs, so they didn’t need mics for their amps. </p>
<p>Between 5:45 and 6:05, all the musicians showed up and set up all their instruments. Tyler, the rhythm guitarist, forgot to bring his guitar to the studio, so we decided to record him just singing, along with Austin S., the other vocalist, after we recorded just the instruments, which was the first thing I planned to do, on the first six tracks. That meant that I had to change the track sheet, so that the drums were on three tracks (the kick on track 1, the snare and the left overhead on 2, and the tom and right overhead on 3), the synth was on track 4, the bass on 5, the lead guitar on 6, the two vocals on 7, and the virtual instrument on 8. </p>
<p>I asked each of them to sign a Musician Waiver and Release form, so they would give me permission to produce and distribute the recording, and so they would agree not to sell or distribute my recording without my consent. It took everyone from around 6:05 to about 7:00 set up all their instruments and rehearse “Tangled“, which took longer than I had anticipated. Between 7:05 and 7:15, Brennan and I did a sound check all the tracks for each instrument, and then we finally started recording. </p>
<p>The recording process was done in a total of eight takes, and it lasted from about 7:15 to 10:00 PM. In the first three takes, I recorded the full band, minus the vocals. When the band and I listened to a playback of each of the first two takes, we didn’t like either of those takes. So I decided to do a third take, so the recording would sound better. After we did the third take, and when we played back, Connor and the two Austins said that their instruments sounded great. Jonah, however, said he didn’t like the way he played the synth on that take, so he asked to be re-recorded on the synth individually over the other instrument parts. So on track 4, I overdubbed the synth individually. Jonah didn’t like that one either, so we did a fifth take, and it sounded better - just as good as the other instruments. After that, Austin G, Jonah, and Connor were done being recorded, so they took down their instruments. Austin G. and Jonah left, while Connor stayed to just listen to me record the voices of Austin S. and Tyler next. Tyler did the lead vocals, and Austin S. did the backup vocals, and Brennan and I recorded them in three takes. Tyler and Austin messed up in the first two takes a little, but the final take was successful. Each of the eight takes we did was about three minutes and five seconds long. At 10:00, we took down all the equipment. Then I saved my recording on my thumb drive, and at around 10:30, Brennan, Tyler, Austin and I turned all the electric equipment off, shut down the studio, and went home.</p>
<p>Next week's post will be about the post production/mixing process of my project. So, once again, stay tuned! </p></div>
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    <p class="post-info"><span data-time="2018-02-18T15:02:09-05:00" title="February 18, 2018 15:02">02/18/2018</span></p>

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  <a href="/studio-blog/blog/5074186/february-11-documenting-my-making-of-an-8-track-recording">Feb 11 - Documenting My Making of an 8-Track Recording</a>&nbsp;
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<p>For my next few Studio Blog posts, I will describe how I made an eight-track recording. I will discuss the pre-production, studio recording, and mix processes that I went through. </p>
<p style="text-align: center;"><strong>My Preproduction Process </strong></p>
<p>For preproduction, the first thing that I thought I should do was to reserve studio time, so I could invite musicians to play during certain set times. So I reserved Monday, February 5, from 7 PM to 11 PM, and Thursday, February 8, from 6 PM to 10 PM. Then I started to message musicians on Facebook Messenger. I purposely avoided asking other Recording Production II musicians because I knew that they had to put many hours into their own recording projects. </p>
<p>I contacted my friend Jonah, a keyboard player, and he said that Monday and Thursday were both good evenings for him to record. Next I invited a guitarist and a drummer who both said that they would not be able to record on either of those two nights. I had a list of musicians for each instrument I was thinking of using, because I knew not everyone would be able to make it. Then I talked to Tyler, a guitarist. He said that he couldn’t play Monday or Tuesday nights, but he said that he could definitely play Thursday evening. We talked about some possible songs to record. One of Tyler’s suggestions was Maroon 5’s “Tangled”. We listened to it together on YouTube. I thought it was a good idea, but I told him, “That will depend on what the other musicians think, too.” Tyler was down to play rhythm guitar and do the lead vocals to “Tangled”. It sounded like it might be a good choice for the musicians we both knew. Now I had to hope that they could make the time in their schedules to record on Thursday night, and possibly even a second night if needed. </p>
<p>So I changed my reservations with the studio. I dropped the Monday hours and expanded my Thursday hours to become 5 PM to midnight. Next, I got Austin S. to play bass guitar and do backup vocals. Then I got Austin G. for drums and Connor for lead guitar. Everyone liked the idea of “Tangled“. </p>
<p>Next, I made a track sheet, a take sheet, an input sheet, a floor plan, and three mix sound stage designs. I talked to Professor Testa about the track sheet and bounce ideas that I had. He asked me why I was recording the drums in mono, and not stereo. Originally, I thought I would have one track each for: drums, synth, bass, lead guitar, rhythm guitar, voice 1, voice 2, and a virtual instrument. That is eight tracks. After discussing it with Professor Testa, I decided to do the drums and the whole recording in stereo. So I changed my plan to do drums on track 1 and 2, synth, bass, lead guitar, and rhythm guitar on each their own track. That’s six tracks. Then I planned to overdub voice 1 and voice 2 on track 7, and later I would overdub a virtual instrument on track 8. </p>
<p>My next post will be about actually recording in the studio and how things don’t always go according to plan. So stay tuned!</p>
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  <a href="/studio-blog/blog/5060331/february-1">Feb 1 </a>&nbsp;
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  <div class="message"><p>In class this week we learned how an old reel-to-reel tape recorder works. We also learned how edit the tape and how to speed it up and slow it down. Then we learned how to hook up the tape recorder to the recording consul to record its speed-up and slow-down effects. I think it’s pretty amazing how music can be recorded by combining old and new recording technology.</p></div>
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  <a href="/studio-blog/blog/5042956/jan-25">Jan 25</a>&nbsp;
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  <div class="message"><p>In class today, we took the studio competency test. Each of us did it individually. I hate to admit it, but I didn't do as well on it as I had hoped. </p>
<p>Afterwards, we all reconvened in the studio to learn how to make a virtual instrument on ProTools. We even learned how to change the instrument’s effects in many different ways. It’s as easy as making a virtual instrument on GarageBand, which I've done many times before on the GarageBand app on my iphone. I'm eager to try it on ProTools on my own and use it for my recordings. I think I'll enjoy it. </p></div>
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